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Re: Bloated Serif With Sharp Terminals
/a feels wide to me. Top terminals of /C /G /S could be a bit more “serif-y.” Conversely leg of /K could have a softer treatment. The downward top terminal of /five feels odd to me and makes the figu…3 -
Re: Type Design Technical Advances
When font editors integrated path-editing and space-editing into one view—and likewise editing a glyph in the context of others—it was a big breakthrough for me. The arrival of Glyphs is where I firs…5 -
Re: Reviving an old project
Should the horizontals in letters like Д Л П Ц Ш Щ be more like H's crossbar than E's arms (that is, monolinear rather than tapered)?1 -
Re: Eau de Garamond — a sans distilled from the essence of Garamond
This is a 15-page thread of a designer listening to constructive criticism and making subtle changes to a design over years. The implication I get from your comment that he's blind or careless to su…2 -
Re: Under- and overshoot
If "Display faces need less overshoot than text faces" (with which I agree), does that suggest that enlarging the sample to better see the necessary overshoot is actually a problematic meth…2